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9 Jun 2012

AHRC Collaborative Doctoral Award - British Museum and partners

AHRC Collaborative Doctoral Awards Programme

RECONNECTING SLOANE: TEXTS, IMAGES, OBJECTS



Applications are invited for TWO AHRC Collaborative PhD studentships, commencing in autumn 2012, on the theme of Reconnecting Sloane: Texts, Images, Objects.

1.         Collecting and Correspondence: Sloane’s Papers and Scientific Networks (Supervised by Dr Arnold Hunt, British Library and Dr Anne Goldgar, King’s College London)

2.         Putting Nature in a Box: Sloane’s Vegetable Substances (Supervised by Dr Charlie Jarvis, Natural History Museum, and Professor Miles Ogborn, Queen Mary University of London)

A third Doctoral studentship in the programme, Visualizing Natural Knowledge: Sloane’s Albums of Natural History Drawings (Supervised by Dr Kim Sloan, British Museum, and Dr Elizabeth Eger, King’s College London) has already been allocated to a named student.

Applicants can apply for both studentships, but must complete separate applications for each as outlined below.

These studentships will focus on the collections of Sir Hans Sloane (1660-1753), which are now divided between the British Museum, the Natural History Museum and the British Library.  The research projects will explore various aspects of Sloane’s collections in order to understand how his collecting practices were involved in the making of Enlightenment knowledge.  The successful applicants will be expected to work closely with the partner institutions, and each other, in order to draw out the intellectual and material connections between the different parts of Sloane’s collections.  They will also participate in the development of new finding-aids for the collections, leading to innovative forms of public engagement.


The award pays fees and an annual maintenance grant (currently £15,590 per year) and the partner institution will contribute up to £1000 pa research costs. The usual AHRC eligibility rules apply to these studentships, including having an appropriate master’s degree by October 2012 and AHRC’s residential requirements.

For both studentships the closing date is 29th June 2012. Interviews will be held in London on 19th July 2012.  Applicants will need to include a CV, two references, an academic transcript and a 1000-word statement of purpose.

For Collecting and Correspondence: Sloane’s Papers and Scientific Networks Further details are available on the Department of History, King’s College London website, informal inquiries should be made to Dr Anne Goldgar (anne.goldgar@kcl.ac.uk) and applications should be made to Kings College London.

For Putting Nature in a Box: Sloane’s Vegetable Substances Further details on the project and how to apply are available on the School of Geography, Queen Mary University of London, website. Informal inquiries should be made to Professor Miles Ogborn (m.j.ogborn@qmul.ac.uk) and applications should be made to Queen Mary University of London.

3 Jun 2012

Beds and Bedding Conference at Temple Newsam House, Leeds


Bedtime Stories : Beds and Bedding in

Britain 1650-1850.

Temple Newsam House, Leeds. 21-22 June 2012
This two-day conference is being held as part of a yearlong celebratory exhibition of beds
at bedrooms at Temple Newsam House following the restoration of the Queen Anne State
Bed from Hinton House. The conference brings together both museum professionals and
scholars to share insights on historic beds and bedrooms in order to further understanding
and inform the interpretation of beds and bedroom interiors.
Keynote speakers:
Dr Olivia Fryman, Historic Royal Palaces
“Fit for His Majesties use”: Preserving, Cleaning and Repairing Royal State Beds 1689-1740
Dr Sebastian Edwards, Historic Royal Palaces
The Geography of the English Royal Bedchamber in the Late Seventeenth and Early Eighteenth Century
Dr Angela McShane, Victoria and Albert Museum
Beds and the Making of the Domestic Landscape
Ticket Prices: includes lunch, refreshments and Private View of Bedtime Stories exhibition
£40 for both days; £20 per day; Student Discount: £20 for both days; £10 per day
To book, call: 0113 264 7321; or email: temple.newsam.house@leeds.gov.uk


26 May 2012

June Events at the University Gallery

We've got a real mixture of events at the Stanley and Audrey Burton Gallery this month to coincide with the opening of our new exhibtitions, 'Paper Trails', showing highlights from the Gallery's works on paper, and 'Rough Draft', a celebration of the drawing process.

Our life drawing workshop (9 June) with the artist Karen Babayan is an extension of that celebration, focusing on a variety of different approaches and techniques. This will be followed by 'Making Trails' (16 June), a dance and movement workshop in the exhibition space, led by experienced tutor, Gerry Turvey

If you're more literary minded, why not try 'Write Me a Picture' (30 June), our well-established creative writing workshop with award-winning poet, Suzannah Evans. In a follow-up to our popular 'Archives for the Future' event, Brotherton Fellow Chris Sheppard and Digital Content Coordinator Beccy Shipman are also back, for a talk on the future of the collections, accompanied by a tour of the Library's digitisation studio (23 June).

For more information, please visit: http://www.leeds.ac.uk/gallery/events.htm

25 May 2012

MA Student Symposium

It's MA Student Symposium time again....we have a strong representation from the MA Museum Studies cohort, as usual, plus some really interesting perspectives from the rest of the students on the ma art history and ma cultural studies programmes...good luck to all....see you there!
Mark. 

University of Leeds

School of Fine Art, History of Art & Cultural Studies







MA Symposium

Schedule






30 May-1 June, 2012


Old Mining Building
Room G.19

Wednesday 30 May


10:00-10:30         Welcome
          Eric Prenowitz

10:30-12:00         Who Owns What?
Chair: Ashley Thompson
-         Alice Kate Lambert: To sell or not to sell? That is the question!
-         Daniela Machado: The Art Market: A World of Luxurious Commodities Transfigured into Symbolic Capital by Art Collectors and Philanthropists
-         Oranuch Somprasit: Contemporary Buddhist Art in Thailand: A Study of Thawan Duchanee’s Painting
-         Erin Rolfe: The Location of Value: How does MIMA benefit Middlesbrough?

12:00-1:00     LUNCH  (Rm. 2.06A)

1:00-2:30    Storytelling
Chair: Barbara Engh
-         Hannah Goddard: Story telling as survival: The significance of Benjamin and Scheherazade for Saleem Sinai of Rushdie’s Midnight’s Children
-         Max Raku: Between Borges and Derrida: Labyrinths of Sand and Mirrors
-         Rachael Thomas: The Spektor of the Storyteller
-         Theodore Wilkins: Wordless Communicators

2:30-2:45       TEA BREAK (Rm. 2.06A)

2:45-4:45              Representing Sexuality
Chair: Catherine Karkov
-         Anna Giovanaki: Representation and Interpretation of LGBT Communities in Social History Museums: The Museum of London
-         Elsy Benitez: Images of Intimacy: Photographic Works of Nan Goldin
-         Yelin Zhao: Becoming Victorine Meurent
-         Rachel Rotrand: Dodo: (Re)discovering, (Re)Constructing, and Exhibiting Identities in Berlin and London
-         Maria Daskalaki: Representations of Messy Paraphilias in the Culture of Cleanliness: Nikos Nikolaides’ Singapore Sling

Thursday 31 May


10:00-12:00         Representational Limits
Chair: Roger Palmer
-         Jo Hamill: Words Fail Me – Exploring the Limits of Language
-         Helen Brady: From Figuration to Abstraction: Mark Rothko and the years of 1942-1948
-         Laura Smith: ‘Writing’ in Film
-         Rachel Moaby: What is the Importance of Ephemera in the Museum?
-         Susan C. Timmins: An Atavistic Review of ‘Low’ Material in Sculpture

12:00-12:10   STRETCH

12:10-12:45         BA-MA Forum: ‘The MA Experience...’

12:45-1:30     LUNCH (Rm. 2.06A)

1:30-3:30              Restorations
Chair: David Jackson
-         Clara Woolford: Art and artifice: The Restoration of Leighton House Museum
-         Maria Elise Leland: Politics in Memory: The Historical Preservation of Ham House
-         Laura Rosemary Bootland: Conservation, Restoration or Re-creation: Interpreting Historic Houses
-         Emma Frances Bowen: Curating from the Garden Shed: The Re-creation, Restoration and Interpretation of Historic Gardens
-         Katie Thompson: A Study of the Restoration of Tiger 131 at the Tank Museum, Bovington

3:30-3:45       TEA BREAK (Rm. 2.06A)

3:45-4:50    The Art of the Museum
Chair: Gail Day
-         Joana Mateus Tavares: Re-interpreting The Other or Authorship and Identity in The Museum
-         David Knowles: Lost and Found Imagery
-         Joanne Williams: Contemporary Art Interventions in the Museum

Friday 1 June


10:00-11:30         Curatorial Cultures
Chair: Will Rea
-         Ching Wang: Same Objects; Different Museums: Chinese Porcelains in the British Museum and the National Palace Museum, Taiwan
-         Rachel Cunningham Clark: ‘Spice Up Your Life?’ – Popular Collecting and Museum Culture
-         Heather Dawson: The Representation of Mental Health within Museums
-         Phoebe Newman: The Code of Ethics for Museums: Can the Display of Human Remains with Contemporary Art be Ethically Acceptable?

11:30-11:35   STRETCH

11:35-1:00           Interpreting Architectures
Chair: David Hill
-         Sheelagh White: The Contemporary Museum: Its Relationship with Architecture and Exploration of Space
-         Alexander Peters: Architecture as Narrative: Shaping Museum Interpretation
-         Claire Davies: Elizabeth Percy: Engaging with Architecture in the 18th C.
-         Harriet Page: Museums’ Impact on Urban Regeneration: The Building Itself (The Hepworth, Wakefield and Turner Contemporary, Margate)

1:00-1:40       LUNCH (Rm. 2.06A)

1:40-3:10             Constructing Memories
Chair: Claudia Sternberg
-         Alison Torbitt: Memorial Culture and the First World War: is the Centenary the Final Milestone in Commemorating World War One?
-         Carolin Eisner: Jewish Memorials in the Public Ssphere: the Berlin Memorial for the Murdered Jews in Europe
-         Philippa Basey: 9/11: The Process of Memorialisation
-         Viesturs Marnauza: Latvian Nativism in the Post-Soviet Transition

3:10-3:20       TEA BREAK (Rm. 2.06A)

3:20-4:50              Curatorial Pedagogies
Chair: Kerry Bristol
-         Charlotte Preston: Learning in the Museum: The Hepworth
-         Seung Joo Cha: Exhibition Design and Visitors’ Experience in the Contemporary Museum: The Galleries of Modern London
-         Sarah Richardson: Aesthetics/Education: Social Inclusion (the Hepworth)
-         Lela Radisevic: University Museum: Collections of knowledge

4 May 2012

Want to chat Herbert Read?

Thought this event might interest the art-interested Museum Studies folk - a new critical reading group at East Street Arts, called 'Plundering Troops' - run by artists for the love of art (and thinking deeply about it!)

If you like the idea of a no-marks-pressure-just-fun-fun-art-theory group, come along to the next meeting on Tuesday 15th, at 6pm (wine and nibbles provided).  The reading is from Herbert Read's classic art history text The Meaning of Art.

http://plunderingtroops.wordpress.com/2012/05/04/reading-lab-15th-may-6pm/

2 May 2012

INTERVENTION! Collage Workshop with Hondartza Fraga

Saturday, 5 May 2012, 2-4pm


Join us at the Stanley & Audrey Burton Gallery this Saturday from 2pm as we explore the theme and process of intervention in this collage workshop, led by the artist Hondartza Fraga. On this, the final day of Matt Smith’s ‘Other Stories’ exhibition, Smith’s interventions use stories and found objects to suggest alternative narratives relating to artworks in the Gallery’s collection.

Participants will be invited to respond to these narratives through creating their own interventions and weaving extracts of the stories into collages. All materials are provided but participants are also welcome to bring their own collage images.

Hondartza Fraga is a visual artist who has exhibited both nationally (Liverpool, Leeds, London, Sheffield) and internationally (Portugal, Spain, Norway, Istanbul, Italy). Hondartza is currently a studio holder at Patrick Studios (East Street Arts) in Leeds.

Free workshop, but places are limited so please book your place in advance by e-mailing gallery@leeds.ac.uk, phone (0113) 343 2778, or online.