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Showing posts with label perspectives on the art market. Show all posts
Showing posts with label perspectives on the art market. Show all posts

23 Oct 2012

Perspectives on the Art Market

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PERSPECTIVES ON THE ART MARKET
Open Lecture Series No. VIII

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School of Fine Art, History of Art and Cultural Studies
University of Leeds
 ‘Picture-Hunting for the Nation: Sir Charles Eastlake and his concept of ‘eligibility’ and the mid-19th-century European Art-Market’
Dr Susanna Avery-Quash
Research Curator in the History of Collecting
The National Gallery, London
Clothworkers South, Lecture Theatre 3 (3.12)
On THURSDAY 22nd November 2012
2.00pm -3.30pm
ALL WELCOME
For further information on this Lecture Series please email
Dr Mark Westgarth m.w.westgarth@leeds.ac.uk

18 Oct 2012

Perspectives on the Art Market

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PERSPECTIVES ON THE ART MARKET
Open Lecture Series No. IX

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School of Fine Art, History of Art and Cultural Studies
University of Leeds
 Auctions, Exports, Exemptions – Art Market Case Studies
 Elizabeth Jamieson MA
Independent Furniture Historian and Assessor to the Reviewing Panel for the Export of Works of Art

Clothworkers South, Lecture Theatre 3 (3.12)
On MONDAY 19th November 2012
2.00pm -3.30pm
ALL WELCOME

18 Apr 2011

Perspectives on the Art Market

‘PERSPECTIVES ON THE ART MARKET’
Open Lecture Series No. IV

School of Fine Art, History of Art and Cultural Studies
University of Leeds
 "Old Masters and New Masters, and their Masters: Gustave Coûteaux and the Belgian Art Market, ca. 1840-1870"
by
Dr Jan Dirk Baetens
FWO Doctoral Fellow
Art History Department, KULeuven Arts Faculty, Belgium
UNIVERSITY OF LEEDS
Baines Wing Lecture Theatre (2.34)
On WEDNESDAY 4th May 2011
5.00pm -6.00pm
ALL WELCOME

6 Dec 2009

Perspectives on the Art Market Series II

Hello All,

we welcomed, on Thursday 3rd December, our speaker for Series II of our 'Perspectives on the Art Market' talks, Adrianna Turpin, Academic Director of the MA in History and Business of Art and Collecting at the Institute d'Etudes Superieures des Arts in Paris and the Wallace Collection in London. Adrianna gave a fascinating paper on the the subject of 'Commerce and Collecting in London and Paris in the early Nineteenth Century'.
Her talk built on her chapter on William Beckford and the market for antique French furniture in the period c.1789-c.1845 published in the exhibition catalogue 'William Beckford: an eye for the magnificent', edited by Derek Ostergard (2001), which was associated with the exhibition staged at the Bard Graduate Center in New York in 2001 and Dulwich Picture Gallery in 2002 (I went along, it was fantastic!)
The talk was very well attended, with virtually all our MA students and quite a few students from the undergraduate programme, as well as PhD students and members of staff. Adrianna usefully highlighted the methodological problems of attempting to track changing prices and their meanings, as objects are put into circulation through historic art markets. This was a thoughful and thought-provoking talk and I'm sure we all thank Adrianna for coming all the way from London to speak to us.

There are more talks in the 'Perspectives on the Art Market' series in the new year...watch this space!
Mark